Honus Honus (of Man Man) will leave you breathless

When Man Man cut their seemingly endless tour short to take a long-overdue break, Ryan Kattner A/K/A Honus Honus A/K/A Man Man's main man made something he'd avoided for the past 13 years—a solo album.

A portrait of Ryan Kattner, A/K/A Honus Honus.
Twitter/for PhillyVoice

If you tune into a TV show called “The Exorcist,” you expect to hear your fair share of strange voices. But the most surprising sound for Philly music fans came – not in the form of a demonic growl or a Satanic roar – but via the unmistakable tones of Honus Honus last month. 

“Santa Monica,” a tune from the Man Man founder/frontman’s new solo debut "Use Your Delusion," blasted from a car stereo in the opening minutes of the Fox series’ third episode as a pair of ill-fated characters engaged in some front seat flirtation.

It turns out Mr. Honus had an “in” with the show. Using his other name, Ryan Kattner, he currently serves as music supervisor for the network adaptation of the horror classic. Surprisingly, given the subject matter, that’s mostly entailed placing deep-cut northern soul tracks rather than jump-scare cues, but given his history of singing, “Will you harness the 666?” (on Man Man’s “End Boss”) or posing as a corpse at the Louvre on Instagram, the show still seems a good fit.

Kattner made his way back home to Philly last month, when he celebrated the album’s release at the Boot & Saddle on South Broad Street with his “completely impractical” six-piece band and mariachi outfits made by the same couturier who outfitted “Three Amigos” (not to mention “Beverly Hills Chihuahua.”)

“I guess you do get back the energy that you put out into the universe,” Kattner said over the phone from his car, somewhere in Los Angeles recently.

“That being said, I probably should have put out the kind of energy that would have gotten me an endless bank account and an island somewhere instead of 666 and dead bodies. But where’s the fun in that?”


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A former film student, Kattner left Philadelphia for Los Angeles nearly four years ago, picking up the threads of a screenwriting ambition that was sidelined when he “decided it would be fun to write some songs and see what happens,” and Man Man took off unexpectedly. He’s since taken to what he calls the “unique weirdness” of his newly-adopted city.

“I’ve been trying to move out here forever,” Kattner said.

“I was attracted to this place because it seemed to be where dreams go to die – which sounds super negative, but I really enjoy that idea.”

His own dreams don’t seem to be in any particular danger at the moment. In addition to his new found solo project, he works as music supervisor for both “The Exorcist” and the quirky YouTube production studio, Super Deluxe. He also recently co-starred with Mary Elizabeth Winstead in the short film, So It Goes, and directed videos for three of the songs on his new album for the JASH YouTube channel, which was founded by Sarah Silverman, Michael Cera, Reggie Watts, and Tim & Eric.

Despite having his own name (well, his own pseudonym at least) on the album cover, Kattner says the process didn’t differ much from writing for Man Man.

“I feel like the only way my music is going to lose [its strangeness] is if someone does a lobotomy on me,” Kattner laughed.

“I just wanted to write hooky pop songs that were fun to play and that people would want to listen to on repeat. Is that so wrong? 

"Releasing something as a ‘solo artist’ is interesting because it allows you to explore different sides of yourself, but it’s really odd saying things like that because it’s not like there was anything that held back the output of Man Man, which was all over the place anyway.”

As for the fate of the band, Kattner simply says that its members needed to take a break, but he shrugs off any suggestion that his Hollywood career and solo project indicate Man Man’s imminent demise.

“The way I feel about Man Man is that Man Man’s only done if I stop breathing.”